About the Show

"The Boy Friend" by Sandy Wilson is a musical written in the 50's but is set in the 1920's. It takes place in a girls' finishing school on The Riviera in the south of France. The action takes place in three acts; on the beach of the French Riviera, at a finishing school for young ladies, and at the Cafe Pataplon's costume ball in the mid 1920's

"The Boy Friend" marked the Broadway debut of Julie Andrews pre- "My Fair Lady". It is a delightful period spoof and the music is terrific!  The kind of songs that one can hum from memory after having heard once.



Performed November 2000
at Holy Cross Hall in Notre Dame College

Pictures
Behind the Scenes
During the Show
Cast Costume Poses
NOTE: These pages can take a few minutes to load.  Please be patient!


Production Staff

Director: Betty Thomson
Asst. Director: Beth Ann O'Hara
Choreographer: Betty Thomson
Music Director: Mary Doane
Costumes: Wendy Trommer, Terry McKay
Technical Coordinator: Joe Vago, Scott Katrycz
Set Build Manager: Dick Marshall, Bruce Royer

Lighting and Sound Design: Dave Nelson
Lighting Run: Doug Penney
Sound Run: Joe Vago
Tickets and Treasury: Anne Kwiatek, Sara Desrosiers


Roles

WOMEN
Hortense - the French maid - can be any age - has two songs
Maisie - a young English lady who loves all the boys - has two songs and dances
Dulcie -a young English lady who is a constant flirt - has one duet
Fay - a young English lady - chorus songs and lines
Nancy -a young English lady - chorus songs and lines
Lily - a young English lady - chorus songs and lines
Rose - a young English lady  - chorus songs and lines
Polly Browne - a young English lady - in love with a bellhop - has five songs
Lady Brockhurst - the middle-aged wife of Lord Brockhurst - no songs, but dialogue
Lolita - a French cabaret dancer -  specialty dance duet with Pepe
Madame Dubonnet - an attractive middle-aged French woman, Head Mistress of
                           the FinishingSchool - has three songs

MEN
Bobby - a rich American in love with Maisie - one song and dance and lines
Pierre - a young Frenchman in love with Rose - chorus songs and lines
Marcel - a young Frenchman in love with Fay - chorus songs and lines
Alphonse - a young Frenchman in love with Lily - chorus songs and lines
Philippe - a young Frenchman in love with Dulcie - chorus songs and lines
Georges - a young Frenchman in love with Nancy - chorus songs and lines
Sir Percival Browne - Polly's father - old lover of Mme. Dubonnet - two songs
Tony - a young Englishman working as a bellboy - in love with Polly - two songs
Lord Brockhurst -a middle-aged Englishman flirting with Dulcie - one song
Gendarme - French policeman - action, some lines
Gaston - the waiter at Cafe Pataplon - action, some lines, chorus songs
Pepe- a French cabaret dancer - specialty dance duet with Lolita


Show Synopsis

Act I opens with a curtain speech (which is optional) by a cast member who briefly describes the period of the show (the 1920s) assuring the audience that the era roared as loud in England and along the Riviera as it did in America. The announcer then introduces the band, the Bearcats, who perform the "Overture."

The scene is Madame Dubonnet's Finishing School outside of Nice. The girls, all in their late 'teens assert that they are "Perfect Young Ladies" but they are scolded by Hortense, the chic French maid at the school, who is not convinced they are quite as perfect as they claim. Enter the demure Polly Browne announcing that her secret escort for the costume ball that evening will arrive at any moment. She will attend the dance in costume as Pierrette. In anticipation of the festivities, the girls sing about that essential element: "The Boy Friend."

Headmistress Mme. Dubonnet comes in. The girls disperse but she asks to speak with Polly. After a bit of cross-examination, Polly admits that she has no date for the dance, that her wealthy father forbids her to have a boy friend who might only be after the family fortune. Mme. Dubonnet (who has a habit of ending her sentences with "hein" meaning essentially "isn't that so?") assures Polly she will speak with Mr. Browne as soon as he arrives for the ball that evening.

Maisie, Polly's vivacious classmate, interrupts the meeting. After Mme. Dubonnet leaves, the dapper playboy Bobby Van Husen appears at the French windows and Maisie tries to shoo him away, but he begs her to promise him every dance at the ball. They sing "Won't You Charleston With Me?" and end the number dancing.

As they leave, a pompous older gentleman, Percival Browne (Polly's father) arrives to see Mme. Dubonnet. As she enters, she is a bit startled--a sudden moment of recognition. They begin by discussing Polly but finally realize they had met before--at the end of the war at Maxim's where they waltzed the night away. They sing "Fancy Forgetting." They end the song on the verge of a kiss and exit.

Polly comes in as Tony, a messenger boy, delivers a package "for Miss Polly Browne." Their attraction to one another is instantaneous and she invites him to escort her to the carnival ball as Pierrot. They dance and sing "I Could Be Happy With You" and plan to meet at the bandstand on the beach that afternoon. He leaves as Polly realizes she doesn't even know his name.

The first act ends with the happy reunion of Polly and her father and the ensemble reprising "The Boy Friend."


Act II: that same afternoon at the shore, boys and girls in beach attire sing "Sur Le Plage."

Enter the jolly Lord Brockhurst, complete with monocle and high blood pressure, flirting with the bathing beauties but followed by Lady Brockhurst. They discuss the mysterious disappearance of their son Tony from his college at Oxford. Consoling each other they exit while Lord Brockhurst continues eyeing the young girls in their bathing costumes.

Polly and Tony meet as planned. She denies being an heiress to a fortune but claims to be merely a secretary at the school. They joyously share their enthusiasm for the simple life in "A Room In Bloomsbury" and end the song on the verge of a kiss as the haughty maid Hortense appears and is horrified recognizing Tony as "just a messenger boy." Polly convinces Hortense to keep their secret from Mme. Dubonnet and the couple run off as the other young bathers arrive en masse teasing the French maid.

Lord Brockhurst spots Mme. Dubonnet and Percival Browne and is smitten with the lady. She leaves to find Percival a bathing suit and Brockhurst questions Browne about her. But Percival resents the intrusion. Lady Brockhurst arrives again on the scene and whisks her husband away as Mme. Dubonnet comes back with bathing trunks in hand and vamps the very proper Percival with a song, "You Don't Want To Play With Me Blues."

All the boys are focused on the coquettish Maisie begging her to promise them a dance at the ball. She flirts with all of them to Bobby's frustration. They all join in to sing "Safety In Numbers" as she expresses her love for all of them in song and dance: "There's safety in numbers/And the more the merrier am I."

Tony and Polly enter and arrange to meet at the cafe at nine before the ball. They reprise "I Could Be Happy With You" and end it with a kiss as the Brockhursts enter and spot their son. He runs off as the Brockhurts call for a gendarme. In the confusion all believe Tony is a thief--including Polly. Of course he is! He's stolen her heart and she won't be going to the ball after all.


Act III opens on the terrace of the cafe where couples are dancing. Mme. Dubonnet and Percival discuss the melancholy Polly and realize she is indeed in love and in need of a confidante--the mother she lost long ago. They recall their Armistice Day rendezvous. Love is in the air. Bobby proposes to Maisie and she promises to give him an answer at midnight. The other girls accept similar proposals from Alphonse, Marcel, and Pierre--but all the girls decide to give their beaux their answers at midnight. The boys are frustrated having to wait till then. All dance and sing "The Riviera," the latest dance craze, to help pass the time.

Tony enters and Hortense button-holes him. She reports that Polly is broken- hearted. He enlists Hortense to urge Polly to attend the ball and he leaves to change into his costume.

Lord Brockhurst flirts with one of the young ladies and they sing "It's Never Too Late To Fall In Love" as he cites the advantages of loving a mature man of the world. But Lady Brockhurst again arrives in time to make short work of the flirtation.

Suddenly a forlorn Polly appears costumed as Pierrette. Lady Brockhurst recognizes Polly as the girl with Tony that very afternoon. Upon seeing Polly in her costume, Mme. Dubonnet recalls a song she knew as a child and sings it for Polly: "Poor Little Pierrette."

Tony, costumed and masked as Pierrot, arrives and approaches Polly asking for the next dance but she answers "I'm afraid I can't dance with a stranger." His kiss assures her that this is her Tony.

The Brockhursts embrace their son. Tony and Polly admit to each other they have been flying under false colors. He confesses he's the heir to the Brockhurst fortune. She admits she's the daughter of the millionaire Percival Browne. Oh, well, they'll find a way of forgiving each other and manage somehow.

Percival Browne then announces that Mme. Dubonnet has agreed to become his wife. It's suddenly midnight and each of the boys await their fate. Will the girls' answers be yes or no? It's a unanimous yes! "Swell" cries one of the young men, "now how about that Charleston?"


Song List

Overture
Perfect Young Ladies
Entrance of Madame Dubonnet (Incidental Music)
Boy Friend, The
Won't You Charleston With Me?
Fancy Forgetting
I Could Be Happy With You
Sur La Plage
Room In Bloomsbury, A
It's Nicer In Nice
Intermission II
You-Don't-Don't-Want-To-Play-With-Me Blues
Safety In Numbers
Riviera, The
It's Never Too Late To Fall In Love
Never Too Late To Fall In Love Reprise
Carnival Tango
Poor Little Pierrette
Finale